Attachments: A Novel Read online

  ATTACHMENTS

  ATTACHMENTS

  Rainbow Rowell

  DUTTON

  Published by Penguin Group (USA) Inc.

  375 Hudson Street, New York, New York 10014, U.S.A.

  Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.); Penguin Books Ltd, 80 Strand, London WC2R 0RL, England; Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  Published by Dutton, a member of Penguin Group (USA) Inc.

  Copyright © 2011 by Rainbow Rowell

  All rights reserved

  REGISTERED TRADEMARK—MARCA REGISTRADA

  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

  Rowell, Rainbow.

  Attachments / Rainbow Rowell.

  p. cm.

  ISBN: 9781101476345

  I. Title.

  PS3618.Q8755A93 2011

  813'6—dc22

  2010036696

  PUBLISHER’S NOTE

  This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

  The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

  Version_1

  For Kai, who’s better than fiction

  ATTACHMENTS

  CONTENTS

  CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  CHAPTER 48

  CHAPTER 49

  CHAPTER 50

  CHAPTER 51

  CHAPTER 52

  CHAPTER 53

  CHAPTER 54

  CHAPTER 55

  CHAPTER 56

  CHAPTER 57

  CHAPTER 58

  CHAPTER 59

  CHAPTER 60

  CHAPTER 61

  CHAPTER 62

  CHAPTER 63

  CHAPTER 64

  CHAPTER 65

  CHAPTER 66

  CHAPTER 67

  CHAPTER 68

  CHAPTER 69

  CHAPTER 70

  CHAPTER 71

  CHAPTER 72

  CHAPTER 73

  CHAPTER 74

  CHAPTER 75

  CHAPTER 76

  CHAPTER 77

  CHAPTER 78

  CHAPTER 79

  CHAPTER 80

  CHAPTER 81

  CHAPTER 82

  CHAPTER 83

  CHAPTER 84

  CHAPTER 85

  CHAPTER 86

  CHAPTER 87

  CHAPTER 88

  CHAPTER 89

  ACKNOWLEDGMENTS

  ABOUT THE AUTHOR

  CHAPTER 1

  From: Jennifer Scribner-Snyder

  To: Beth Fremont

  Sent: Wed, 08/18/1999 9:06 AM

  Subject: Where are you?

  Would it kill you to get here before noon? I’m sitting here among the shards of my life as I know it, and you …if I know you, you just woke up. You’re probably eating oatmeal and watching Sally Jessy Raphael. E-mail me when you get in, before you do anything else. Don’t even read the comics.

  > Okay, I’m putting you before the comics, but make it quick. I’ve got an ongoing argument with Derek about whether For Better or For Worse is set in Canada, and today might be the day they prove me right.

  > I think I’m pregnant.

  > What? Why do you think you’re pregnant?

  > I had three drinks last Saturday.

  > I think we need to have a little talk about the birds and the bees. That’s not exactly how it happens.

  > Whenever I have too much to drink, I start to feel pregnant. I think it’s because I never drink, and it would just figure that the one time I decide to loosen up, I get pregnant. Three hours of weakness, and now I’m going to spend the rest of my life wrestling with the special needs of a fetal alcoholic.

  > I don’t think they call them that.

  > Its little eyes will be too far apart, and everyone will look at me in the grocery store and whisper, “Look at that horrible lush. She couldn’t part with her Zima for nine months. It’s tragic.”

  > You drink Zima?

  > It’s really quite refreshing.

  > You’re not pregnant.

  > I am.

  Normally, two days before my period, my face is broken out, and I get pre-cramps cramping. But my skin is as clear as a baby’s bottom. And instead of cramps, I feel this strangeness in my womb region. Almost a presence.

  > I dare you to call Ask-A-Nurse and tell them that you’ve got a presence in your womb region.

  > Given: This is not my first pregnancy scare. I will acknowledge that thinking I’m pregnant is practically a part of my monthly premenstrual regimen. But I’m telling you, this is different. I feel different. It’s like my body is telling me, “It has Begun.”

  I can’t stop worrying about what happens next. First I get sick. And then I get fat. And then I die of an aneurysm in the delivery room.

  > OR …and then you give birth to a beautiful child. (See how you’ve tricked me into playing along with your pregnancy fiction?)
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  > OR …and then I give birth to a beautiful child, whom I never see because he spends all his waking hours at the day-care center with some minimum-wage slave he thinks is his mother. Mitch and I try to eat dinner together after the baby’s in bed, but we’re both so tired all the time. I start to doze off while he tells me about his day; he’s relieved because he wasn’t up to talking anyway. He eats his sloppy joe in silence and thinks about the shapely new consumer-science teacher at the high school. She wears black pumps and nude panty hose and rayon skirts that shimmy up her thighs whenever she sits down.

  > What does Mitch think? (About the Presence in your womb. Not the new consumer-science teacher.)

  > He thinks I should take a pregnancy test.

  > Good man. Perhaps a common-sensical kind of guy like Mitch would have been better off with that home ec teacher. (She’d never make sloppy joes for dinner.) But I guess he’s stuck with you, especially now that there’s a special-needs child on the way.

  CHAPTER 2

  “LINCOLN, YOU LOOK terrible.”

  “Thanks, Mom.” He’d have to take her word for it. He hadn’t looked in a mirror today. Or yesterday. Lincoln rubbed his eyes and ran his fingers through his hair, trying to smooth it down …or maybe just over. Maybe he should have combed it when he got out of the shower last night.

  “Seriously, look at you. And look at the clock. It’s noon. Did you just wake up?”

  “Mom, I don’t get off work until one a.m.”

  She frowned, then handed him a spoon. “Here,” she said, “stir these beans.” She turned on the mixer and half shouted over it. “I still don’t understand what you do in that place that can’t be done in daylight…. No, honey, not like that, you’re just petting them. Really stir.”

  Lincoln stirred harder. The whole kitchen smelled like ham and onions and something else, something sweet. His stomach was growling. “I told you,” he said, trying to be heard, “somebody has to be there. In case there’s a computer problem, and …I don’t know …”

  “What don’t you know?” She turned off the mixer and looked at him.

  “I think maybe they want me to work at night so that I don’t get close to anyone else.”

  “What?”

  “Well, if I got to know people,” he said, “I might …”

  “Stir. Talk and stir.”

  “If I got to know people”—he stirred—“I might not feel so impartial when I’m enforcing the rules.”

  “I still don’t like that you read other people’s mail. Especially at night, in an empty building. That shouldn’t be someone’s job.” She tasted whatever she was mixing with her finger, then held the bowl out to him. “Here, taste this …What kind of world do we live in, where that’s a career?”

  He ran his finger around the edge of the bowl and tasted it. Icing.

  “Can you taste the maple syrup?”

  He nodded. “The building isn’t really empty,” he said. “There are people working up in the newsroom.”

  “Do you talk to them?”

  “No. But I read their e-mail.”

  “It’s not right. How can people express themselves in a place like that? Knowing someone’s lurking in their thoughts.”

  “I’m not in their thoughts. I’m in their computers, in the company’s computers. Everyone knows it’s happening …” It was hopeless trying to explain it to her. She’d never even seen e-mail.

  “Give me that spoon,” she sighed. “You’ll ruin the whole batch.” He gave her the spoon and sat down at the kitchen table, next to a plate of steaming corn bread. “We had a mailman once,” she said. “Remember? He’d read our postcards? And he’d always make these knowing comments. ‘Your friend is having a good time in South Carolina, I see.’ Or, ‘I’ve never been to Mount Rushmore myself.’ They must all read postcards, all those mailmen. Mail people. It’s a repetitive job. But this one was almost proud of it—gloaty. I think he told the neighbors that I subscribed to Ms.”

  “It’s not like that,” Lincoln said, rubbing his eyes again. “I only read enough to see if they’re breaking a rule. It’s not like I’m reading their diaries or something.”

  His mother wasn’t listening.

  “Are you hungry? You look hungry. You look deficient, if you want to know the truth. Here, honey, hand me that plate.” He got up and handed her a plate, and she caught him by the wrist. “Lincoln …What’s wrong with your hands?”

  “Nothing’s wrong.”

  “Look at your fingers—they’re gray.”

  “It’s ink.”

  “What?”

  “Ink.”

  WHEN LINCOLN WORKED at McDonald’s in high school, the cooking oil got into everything. When he came home at night, he felt all over the way your hands feel when you get done eating French fries. The oil would get into his skin and his hair. The next day, he would sweat it out into his school clothes.

  At The Courier, it was ink. A gray film over everything, no matter how much anyone cleaned. A gray stain on the textured walls and the acoustic ceiling tiles.

  The night copy editors actually handled the papers, every edition, hot off the presses. They left gray fingerprints on their keyboards and desks. They reminded Lincoln of moles. Serious people with thick glasses and gray skin. That might just be the lighting, he thought. Maybe he wouldn’t recognize them in the sunshine. In full color.

  They surely wouldn’t recognize him. Lincoln spent most of his time at work in the information technology office downstairs. It had been a darkroom about five years and two dozen fluorescent lights ago, and with all of the lights and the computer servers, it was like sitting inside a headache.

  Lincoln liked getting called up to the newsroom, to reboot a machine or sort out a printer. The newsroom was wide and open, with a long wall of windows, and it was never completely empty. The nightside editors worked as late as he did. They sat in a clump at one end of the room, under a bank of televisions. There were two, who sat together, right next to the printer, who were young and pretty. (Yes, Lincoln had decided, you could be both pretty and molelike.) He wondered if people who worked nights went on dates during the day.

  CHAPTER 3

  From: Beth Fremont

  To: Jennifer Scribner-Snyder

  Sent: Fri, 08/20/1999 10:38 AM

  Subject: I sort of hate to ask, but …

  Are we done pretending that you’re pregnant?

  > Not for 40 weeks. Maybe 38 by now …

  > Does that mean we can’t talk about other things?

  > No, it means we should talk about other things. I’m trying not to dwell on it.

  > Good plan.

  Okay. So. Last night, I got a call from my little sister. She’s getting married.

  > Doesn’t her husband mind?

  > My other little sister. Kiley. You met her boyfriend …fiancé, Brian, at my parents’ house on Memorial Day. Remember? We were making fun of the Sigma Chi tattoo on his ankle …

  > Right, Brian. I remember. We like him, right?

  > We love him. He’s great. He’s just the kind of guy you hope your daughter will meet someday at an upside-down-margarita party.

  > Is that a fetal-alcoholic joke?

  This wedding is your parents’ fault. They named her Kiley. She was doomed from birth to marry a hunky, fratty premed major.

  > Pre-law. But Kiley thinks he’ll end up running his dad’s plumbing supply company.

  > Could be worse.

  > It could hardly be better.

  > Oh. I’m sorry. I just now got that this wasn’t good news. What did Chris say?

  > The usual. That Brian’s a tool. That Kiley listens to too much Dave Matthews. Also, he said,
“I’ve got practice tonight, so don’t wait up, hey, hand me those Zig-Zags, would you, are you in the wedding? Cool, at least I’ll get to see you in another one of those Scarlett O’Hara dresses. You’re a hot bridesmaid, come here. Did you listen to that tape I left for you? Danny says I’m playing all over his bass line, but Jesus, I’m doing him a favor.”

  And then he proposed. In Bizarro World.

  In the real world, Chris is never going to propose. And I can’t decide if that makes him a jerk—or if maybe I’m the jerk for wanting it so bad. And I can’t even talk to him about it, about marriage, because he would say that he does want it. Soon. When he’s got some momentum going. When the band is back on track. That he doesn’t want to be a drag on me, he doesn’t want me to have to support him …

  Please don’t point out that I already support him—because that’s only mostly true.

  > Mostly? You pay his rent.